Tonight National Geographic Explorer series returns at 8 pm ET with Warlords of Ivory, directed by extraordinary JJ Kelley, produced by John Heminway. Oh, and I’m live tweeting Q&A after, too (use #NatGeoExplorer). First question: What’s live tweeting?
I awoke to an interesting article on the cover of the New York Times today. A photograph, above the fold, front page, with the bold caption, “Hunting Something That Can Hunt You Back.”
Before studying the dark photograph I assumed it was yet another article on the killing of Cecil the Lion in Zimbabwe. Possibly, it was a story from the hunting industry’s perspective, an inside look to balance the predominantly negative reaction to the apparent poaching of the Zimbabwean lion. History suggests hunting has its place in conservation, but I had an uneasy feeling about the photo caption. “Hunting something that can hunt you back,” hearkens back to Victorian language legitimizing and celebrating the hunting of gorillas.
For more, I was directed to the Sports page. “‘Bama vs. Gators In a Deadly Game” is the story’s title, suggesting real mano a mano stuff, tinged with a bit of college football. It is the story of alligator hunting in Alabama, one of several southern states where it is legal to hunt gators. Once endangered due to over-hunting, the alligator is an Endangered Species Act success story: the US now has millions of alligators, occupying a range that extends from North Carolina down along the cup of all southern coastal states into the east coast of Texas. The gator is not at risk.
Still, after roughly 90 stories in the Times this summer referencing Cecil the Lion, I was surprised the alligator story, which is the cover of the sports page, and a 2-page spread inside, gave only a few sentences to big game hunting, declaring, “The hunting of large animals is a controversial topic, demonstrated this summer in the killing of a lion in Zimbabwe that caused international outrage.” Fair, if bland, enough. But the only anti-hunting voice is given to a kook, an anonymous voicemail caller who said of a gator hunter, “I hope to God somebody hunts her down and hunts her children down and lets her know how it feels to be murdered like that.” –Hardly a voice of reason.
So, here’s what I found disturbing:
When it finally rose, it shot up, snout first, shattering the surface’s calm. More hooks were cast, or a harpoon was jabbed into its side, which usually sent it underwater again, but not for so long. Weakening, the alligator was jabbed again, or its tail or snout was snared in a wire hoop.
Once the alligator was coaxed to the edge of the boat and its size was estimated by everyone on board, the group would agree either to let it go or to shoot it in the back of the head.
You get only one alligator. Make it a good one.
In other words, they snag it, harpoon it, and only then decide whether it’s good enough to shoot. The taking of the biggest carnivores is unusual in nature, and has recently led a group of scientists to dub man a “Super Predator”, a moniker which masks the negative impact of taking the best genes out of nature instead of doing what predators who live in the ecosystems they predate do: take the weak, the young, the sick.
My beef isn’t with the hunting, it’s with the manner of the kill, and its hyperbolic celebration in this piece. This kind of cruelty has no place in America. But the fact that it does, and that it can be celebrated on the front page of the New York Times, tells you how primitive we all can be.
The slaughter of African elephants is a wildlife story. But it’s also a crime story. –Terry Gross
I’ve gotten huge response to my NPR interview with Terry Gross this week. Terry got straight to the heart of the matter, bringing an important, fresh perspective to this issue.
My latest piece for National Geographic, Tracking Ivory, is the cover of the magazine’s September issue and the subject of WARLORDS OF IVORY, the premiere episode of National Geographic’s Explorer series, airing August 30, 2015 on the National Geographic Channel.
Here’s a link to the online version of the magazine story which is part of an incredible package of photographs, interactive maps, videos, and surveys about the ivory trade, terrorism, and ivory consumption.
This project is the result of work by an extraordinary team across multiple National Geographic platforms, including Photographer Brent Stirton; Filmmakers J.J. Kelley, John Heminway, Toby Strong, Pablo Durana, Jessica Harrop, Josh Thomas; Map Genius Virginia Mason, and more. Click on the links for these people and you’ll see the Mission Impossible team behind the stories.